A reflection of the sensibilities director and co-writer Chloé Zhao developed in films like the evocative The Rider and far less evocative Nomadland. It was supposed to be different, wasn’t it, with its commitment to real locations and imagery not wedded to the artificial? Trailers teased as much - lush jungle, water cresting over gnarled rocks, sunsets peeking through outstretched hands. Chloé Zhao’s MCU entry is stuffed to the gills with movie stars, yet it has no idea what to do with all that shine.
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